As Nicki Minaj began to expand on her commentary about the lack of VMA nominations for “Feelin’ Myself” and “Anaconda”, mainstream media took the usual route of reducing her comments to a “Twitter spat” and painting her in a negative light. Taylor Swift, demonstrating vapid mainstream white feminism at its finest by inserting herself into the conversation, only further derailed the reporting of her comments and ultimately centered the conversation about herself instead of Minaj.

In a response to a fan expressing adoration of her confidence, Minaj highlighted the fact that black women’s contributions to pop culture are rarely rewarded.

@NICKIMINAJ i swear your strength and confidence motivates me SO MUCH

— yffat🍓 (@phatycats) July 21, 2015

I'm not always confident. Just tired. Black women influence pop culture so much but are rarely rewarded for it. https://t.co/2xOvJzBXJX

— Nicki Minaj (@NICKIMINAJ) July 21, 2015

Of course, before we could sit on this and discuss this actual problem that sits at the intersection of feminism, black women’s agency, the perpetual fetishization of black women in the music industry and more, Taylor Swift inserted herself:

https://twitter.com/taylorswift13/status/623616796277506048

Huh? U must not be reading my tweets. Didn't say a word about u. I love u just as much. But u should speak on this. @taylorswift13

— Nicki Minaj (@NICKIMINAJ) July 21, 2015

And the derailing and diminishing of Nicki’s original discussion began…

Its really a shame that everyone is missing the point Nic is trying to make

— Ari🎀 (@ari_ology) July 21, 2015

They're not missing the point, they're just attempting to overshadow the point. Oldest trick in the book. https://t.co/Y4dt1vKk6C

— Nicki Minaj (@NICKIMINAJ) July 21, 2015

Ryan Seacrest posted an original headline that stated Nicki Minaj was taking jabs at Taylor Swift, but she was never discussing Taylor Swift to begin with. Taylor inserted herself as you can see here:

Nothing I said had to do with Taylor. So what jabs? White media and their tactics. So sad. That's what they want. https://t.co/AfcwoyDvpg

— Nicki Minaj (@NICKIMINAJ) July 21, 2015

Taylor went even further to extend an opportunity for Nicki to join the stage with her. (As if Nicki needs that or asked for it…) She, too, is missing the point and needs to have a seat:

https://twitter.com/taylorswift13/status/623628086614036480

By Taylor offering her two cents that no one asked for, their conversation was described as a Twitter beef by many popular news outlets and Nicki Minaj was associated with every negative connotation and image possible. Twitter users captured these “receipts” before they were deleted like Ryan Seacrest and Entertainment Weekly’s tweets. Several prominent black female Twitter users reacted below:

And here it is. The media putting the "angry black girl" stereotype on Nicki even though what she said was all true. pic.twitter.com/KU2dookwPf

— z✰bree (@itzheIIokitty) July 21, 2015

The media is portraying Swift as a the victim & @NICKIMINAJ as an angry BW even though Swift came at her. Images!!! pic.twitter.com/1XNiNsHSvx

— Bougie Black Girl (@BougieBlackGurl) July 22, 2015

https://twitter.com/SoulRevision/status/623653982200664069

https://twitter.com/SoulRevision/status/623654516584378368

https://twitter.com/crissles/status/623694057706024960

Minaj went on to highlight how Seacrest was wrong for the headline he originally used and brought up the comparison of her accomplishments as an artist of color, compared to Taylor Swift and others, using the launch of Tidal (which was met with much criticism that Jay-Z eventually addressed) as an example:

Ryan posted a headline of Taylor saying she loves & supports me. But not me saying the same to her. Lol. Their headline says I took a "jab"?

— Nicki Minaj (@NICKIMINAJ) July 21, 2015

I'm so glad u guys get to see how this stuff works. Taylor took her music off spotify and was applauded. We launched Tidal & were dragged.

— Nicki Minaj (@NICKIMINAJ) July 21, 2015

As with much slander against Black women, unless these large publications are called out, particularly by someone of prominent stature, they will not acknowledge their mistakes or reverse what they have done. Janet Mock, renowned trans advocate, author of Redefining Realness and host of #SoPOPular on MSNBC called Entertainment Weekly for their negative portrayal of Nicki in their original tweet below:

Dear @EW: Let's reverse the imagery & not uphold the #angryblackwoman stereotype. pic.twitter.com/INNPP4Az90

— Janet Mock (@janetmock) July 21, 2015

Entertainment Weekly issued a statement and apology a few hours later for their initial coverage of the piece:

An earlier version of our post on Taylor & Nicki used an insensitive juxtaposition of photos. It was a hasty choice—we sincerely apologize.

— Entertainment Weekly (@EW) July 22, 2015

@EW Full apology and updated post here: http://t.co/sQG8RLv1I0

— Entertainment Weekly (@EW) July 22, 2015

Of course, this isn’t the first time a black woman made a comment that exposed an issue and was dismissed as an “angry black woman” in the media.

https://twitter.com/NerdyWonka/status/623685674353360896

Several black women on Twitter attempted to discuss concerns about Nicki’s comments, highlighting the violent implications of being seen as an “angry black woman.”

https://twitter.com/thecityofjules/status/623694204619857920

https://twitter.com/pale_darkie/status/623654024592650240

https://twitter.com/JChiron18/status/623659468065124352

https://twitter.com/JChiron18/status/623646320033669121

https://twitter.com/JChiron18/status/623646624028475392

https://twitter.com/JChiron18/status/623646996277104640

https://twitter.com/chescaleigh/status/623661614353485824

https://twitter.com/chescaleigh/status/623662010019000320

https://twitter.com/chescaleigh/status/623662473074376704

EBONY.com senior editor, Jamilah Lemiuex, and Brittany Packnett, protester and organizer from Ferguson, commented on the connection between the murder of Sandra Bland and Nicki’s comments.

https://twitter.com/MsPackyetti/status/623856205148991488

Taylor "all girls matter"-ed Nicki right when the Sandra Bland footage dropped. A coincidence and reminder of how Black women are devalued.

— @Jamilahlemieux on Threads (@JamilahLemieux) July 22, 2015

Don't care if you like Nicki or "Anaconda," you can't find a lie in what she said today. Period.

— @Jamilahlemieux on Threads (@JamilahLemieux) July 22, 2015

Two different convos happening on the TL about 2 very diff issues relating to Black women, and it's possible to comment on both.

— @Jamilahlemieux on Threads (@JamilahLemieux) July 22, 2015

What has been most interesting to me in the past 24 hours is that people are operating in the same way that white supremacy and patriarchy do, diminishing and dismissing her comments, further detracting from Nicki’s core argument about the erasure of black women’s contributions to pop culture.

One common sentiment is that “Feelin’ Myself” was a TIDAL exclusive, so that’s why it was not considered VMA eligible. I need receipts. My concern is not that her “TIDAL exclusive” video is not considered eligible for a VMA nomination simply because it was on TIDAL. I’m calling a flag on the play, because other artists, including Taylor Swift herself, have migrated their content from other digital platforms to TIDAL and have not suffered. I am certain that if these artists were concerned that their content existing on TIDAL would affect nominations from award shows such as the VMAs, they would not be using it either.

Other comments that I have read so far allude to the elephant in the room when it comes to Minaj and other artists like her. Nicki Minaj is not seen as a respectable black female artist in pop culture, and that is why you’re not willing to come to her defense. She is not the type of black woman you’re willing to stand behind. You don’t understand how “Anaconda” shattered the respectable viewing lens we have of agency in hip-hop videos where video girls are normally silent and scantily clad. She knowingly and proudly proclaimed a desire for a spotlight and an anthem for curvy women to twerk to. To some, that’s demeaning. And to many curvy women, including myself, it is empowering. “Anaconda” itself samples Sir Mix-A-Lot’s song that bashes commonly-adored flatter posteriors and includes him repeatedly saying that he prefers big butts. Nicki took ownership of that very imagery every step of the way. Much like the backlash against Janelle Monae for taking a new direction with her latest record, “Yoga,” you are being selective with what kind of feminism and what kind of black woman you want.

Blavity contributor Victoria Massie discussed the impact of silencing Nicki’s sentiments coupled with the overwhelming influence of patriarchy and white supremacy and worded it perfectly:

“Pitting Nicki Minaj against Sandra Bland is a false dichotomy because both represent the very literal snubbing of black excellence. Maybe it is more palatable to see this in Bland because one of the ways we have grown accustomed to talking about how we are silenced [is] through police brutality. We see the revolutionary dimension of her righteous rage as she loudly and proudly articulates her rights and her unwavering fight for them to an ego driven and unnecessarily emasculated police officer. But so too was Minaj. She was making a broader point about the systemic ways black artists, especially black women, are denied their due for their influence in cultural production. However, white supremacist respectability blinders seduce us to not see the similarities. We continue to feed the formula of divide and conquer even though we should be bringing Bland and Minaj together in a fight that is both-and.”

At the end of the day, both “Anaconda” and “Feelin’ Myself” broke records and “stopped the world.” As mentioned in this Saint Heron article, “Anaconda” broke viewership records for Vevo with 19.6 millions views in 24 hours. Nicki Minaj deserves respect and there’s no reason that “Feelin’ Myself” should have been snubbed completely at the 2015 VMAs. Our agency and voices as black women should not be silenced or erased in any sphere.

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